Iofin’s portrait of his parents, painted before his emigration from the Soviet Union, was a sly protest against Socialist Realism. He painted in the style but parodied it by overloading his picture…
The Hand of Man appeared in the first issue of Alfred Stieglitz’s journal, Camera Work. Its title alludes both to the transformation of the natural world by humans and the capacity of humans to create…
In Love Dub, small figures climb up the walls of the gallery wearing flipper-like footwear. A similar image was replicated in a tattoo, shown in a photograph as part of the installation. Katzenstein…
Iofin’s portrait of his parents, painted before his emigration from the Soviet Union, was a sly protest against Socialist Realism. He painted in the style but parodied it by overloading his picture…
The Hand of Man appeared in the first issue of Alfred Stieglitz’s journal, Camera Work. Its title alludes both to the transformation of the natural world by humans and the capacity of humans to create…
In Love Dub, small figures climb up the walls of the gallery wearing flipper-like footwear. A similar image was replicated in a tattoo, shown in a photograph as part of the installation. Katzenstein…