Born in New York to immigrants from Germany, Paul Strand was raised on the Upper West Side of Manhattan. He was attracted to photography while studying at the Ethical Culture School under Lewis Hine. After graduation, he participated in Stieglitz’s Camera Club, published in Camera Work, and came to see himself as part of the emergent world of artistic photography. His photographic style characterized humanity in often neglected moments of urban life through street portraits, abstract cityscapes, and movement. Strand also produced films, notably his 1921 adaptation of Walt Whitman’s Mannahatta and his politically charged Frontier Films productions. After World War II he moved to Orgeval, France, and focused exclusively on photography.
Wall Street is considered a seminal work in the history of photography, symbolic of a turn away from pictorialism and toward modernism. Photography would no longer seek to mimic academic painting but…
Leon Levinstein, widely admired for his street photography, held himself at a distance from the art world and never produced a book of his work. He kept his day job as a graphic designer and went out…
Alfred Wolmark painted Fisher Girl of Concarneau during a ten-week honeymoon in Concarneau, Brittany. He was fascinated by the town’s people and scenery. While in Concarneau, he painted several…