Born in New York to immigrants from Germany, Paul Strand was raised on the Upper West Side of Manhattan. He was attracted to photography while studying at the Ethical Culture School under Lewis Hine. After graduation, he participated in Stieglitz’s Camera Club, published in Camera Work, and came to see himself as part of the emergent world of artistic photography. His photographic style characterized humanity in often neglected moments of urban life through street portraits, abstract cityscapes, and movement. Strand also produced films, notably his 1921 adaptation of Walt Whitman’s Mannahatta and his politically charged Frontier Films productions. After World War II he moved to Orgeval, France, and focused exclusively on photography.
Wall Street is considered a seminal work in the history of photography, symbolic of a turn away from pictorialism and toward modernism. Photography would no longer seek to mimic academic painting but…
Mrs. Frederick Nathan returned to New York last week after a summer spent in the various capitals of Europe, where she attended numerous congresses and met the leaders of the European feminist…
Printing, which Jews adopted immediately after its invention, helped to unify far-flung communities. Where previously Jewish learning had been transmitted through the individual copying of manuscripts…