The American multidisciplinary artist Man Ray played a major role in the Dada and surrealist movements of the Parisian avant-garde in the 1920s. Born Emmanuel Radnitzky in Philadelphia, he adopted a pseudonym early on in his career, as did many other Jews working in the period. After meeting and collaborating with the French artist Marcel Duchamp, in 1921 Man Ray moved to Paris, where he opened a photography studio. There he experimented with art film and photography, creating his signature “rayographs,” commonly referred to as photograms, in which objects were collaged onto photosensitive paper and exposed to light, producing quasi-abstract, black-and-white images. During World War II, Man Ray lived in the United States, but in 1951 he returned to Paris.
In 1940, Man Ray fled France to escape the Nazi occupation and temporarily settled in Los Angeles. There he established a studio and made a living by his photography (in Paris, he had worked as a…
Jacob Epstein, “Buying a Newspaper,” from Hutchins Hapgood’s The Spirit of the Ghetto: Studies of the Jewish Quarter in New York. Epstein was best-known for his sculptures, but he also created the…
Cover of the first issue of La vida nuestra (Our Life), a monthly Jewish culture journal published in Buenos Aires, Argentina, between 1917 and 1923. The typography used for the periodical’s title…