Léon Bakst was born Leyb Rosenberg in Grodno in the Russian Empire (today in Belarus) into a middle-class Jewish family. He studied painting at the St. Petersburg Academy of Fine Arts but was dismissed when he depicted the mother of Jesus as a Jewish peasant. Meeting Sergei Diaghilev in 1898 while cofounding the Russian art-nouveau World of Art movement (Mir Iskusstva) proved a fortuitous encounter, as Bakst came to design sets and costumes for many of Diaghilev’s Ballets Russes performances in Paris. His revolutionary approach to ballet combined Russian folklore, an exuberant and often gaudy display of color, and geometric patterns that simultaneously hid and accentuated the dancers’ bodies. His style, based on art-nouveau principles, became known as Bakstian orientalism.
Chaim Soutine’s self-portrait is both an homage to art history and a critique of it. There was a long tradition of artists painting themselves facing an easel, holding a palette and paint brushes. But…
City gate, Gezer, Early Iron Age (1200–980 BCE). This gatehouse complex had benches for participants in legal procedures and other public affairs. In the book of Ruth, Boaz goes to the city gate in…