Born in Turek in the Russian Empire, Henryk (Enrico) Glicenstein was introduced to sculpture early in his life; his father was a tombstone mason. Glicenstein received a yeshiva education but then worked at a handful of trades in Kalish county before arriving in Łódź, where he gravitated toward Leopold Pilichowski and Samuel Hirszenberg, eventually marrying the latter’s daughter. In 1889, Glicenstein enrolled at the Royal Bavarian Academy of Art and the Glyptothek sculpting school, living at the home of Munich’s chief rabbi Joseph Perles. Glicenstein was awarded a Prix de Rome scholarship for his Arion (1895), prompting him to move to Rome, where he assumed the name Enrico and became an Italian citizen and nationally lauded sculptor. He lived and worked throughout Europe, but in 1928 he was compelled to flee to the United States when he would not join the Italian Fascist Party. His son Emanuel became a successful mural artist.
An illustration by El Lissitzky from Chaim Nahman Bialik’s Shloyme ha-melekh (King Solomon), from an issue of the Hebrew journal Shtilim (Saplings) that was printed in 1917 in Moscow, two days before…
In the year 303 [1543], Joseph Catalan claimed that he had married his betrothed Regina, daughter of Moses Ḥayim, on Yom Kippur in front of the gate of her father’s courtyard, by giving her a shawl…
For it is not against me that these men have sinned, for what am I and what is my life? My days have passed like a transient shadow, and fly away as does a dream—like a dream upon…