Born in Turek in the Russian Empire, Henryk (Enrico) Glicenstein was introduced to sculpture early in his life; his father was a tombstone mason. Glicenstein received a yeshiva education but then worked at a handful of trades in Kalish county before arriving in Łódź, where he gravitated toward Leopold Pilichowski and Samuel Hirszenberg, eventually marrying the latter’s daughter. In 1889, Glicenstein enrolled at the Royal Bavarian Academy of Art and the Glyptothek sculpting school, living at the home of Munich’s chief rabbi Joseph Perles. Glicenstein was awarded a Prix de Rome scholarship for his Arion (1895), prompting him to move to Rome, where he assumed the name Enrico and became an Italian citizen and nationally lauded sculptor. He lived and worked throughout Europe, but in 1928 he was compelled to flee to the United States when he would not join the Italian Fascist Party. His son Emanuel became a successful mural artist.
Calvary was not the first time Marc Chagall portrayed the crucifixion in a painting, and it would not be the last. Chagall saw the crucifixion of Jesus Christ as a symbol of Jewish suffering. In this…
“…but Rabbi, even if I can read some of the prayers I still don’t understand what I’m saying.… To tell you the truth I’d rather take a quiet reflective walk in the park this…
Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…