Educated in architecture in Italy during the 1930s, Romanian-born Saul Steinberg became an extraordinarily popular American artist after World War II through his regularly featured drawings, cartoons, and covers for The New Yorker magazine. Steinberg’s inventive enigmatic modernism found expression in masks, drawings, collages, and watercolors that incorporated letters, text, and self-reflections. He exhibited his work in European and American galleries, in a traveling retrospective that began at the Whitney Museum in 1978 and another that opened at the Morgan Library and Museum. He also published more than a dozen compilations of his drawings, beginning with All in Line (1945) and ending with The Discovery of America (1992).
I certainly had an obscure childhood
but intensely my own,
a childhood which wanted to be dashing
but had the features of a caricature.
Yes, a caricature. For example:
that absurd love for Sophie,…
The Linnaeusstraat synagogue was built in the expressionist style of the Amsterdam School, a movement that flourished from 1910 to about 1930, which favored brick construction and copious decoration…
When the fathers of Confederation built this country in 1867, there was universal agreement among all Canadians, English- and French-speaking, that there was no place for the American Dream on the…