Canadian-born painter Philip Guston lived most of his life in the United States. Early in his career, he worked for the Works Progress Administration’s Federal Arts Project, painting murals on public buildings in New York. In the 1940s, he was a leading exponent of Abstract Expressionism. In the late 1960s, Guston returned to a more figurative style, featuring cartoon-like shapes and recurring motifs, such as the soles of shoes. There have been numerous posthumous solo shows devoted to his art, including a retrospective at the Metropolitan Museum of Art in 2003.
Mané-Katz may have painted this picture of a traditional Jewish klezmer band from memory, from his childhood in the Russian Empire. By the late 1940s, his previously dark palette had begun to shift to…
This letter hailing Shabbetai Tzvi as the Messiah was signed by twenty-four prominent members of the Amsterdam Jewish community who had founded a learned society, Yeshuot Meshiho, in his honor. It was…
In view of the fact that many interfere with their neighbors’ vested rights to have sole privilege of lending money at interest in certain localities, and very often the agency of the non-Jewish…