Simeon Solomon’s The Moon and Sleep was inspired by the Greek story of Endymion, a beautiful youth beloved of Selene, the goddess of the moon. Zeus granted Endymion ageless immortality, subjecting…
This gold, repoussé, punched, and engraved goblet was used for kiddush (the ritual sanctification of the Sabbath over wine) in the home of the Speyers, a prominent and wealthy family in the Jewish…
Survivors Are Not Heroes stands five meters tall on the St. George Campus of the University of Toronto. Etrog intended the bronze sculpture to serve as a critique of traditional war memorials, which…
Simeon Solomon attended the Royal Academy in London at age fifteen and was the youngest artist whose work was ever shown there. Early in his career, he painted Old Testament and Jewish religious subjects. Inspired by the Italian Renaissance, Solomon increasingly turned to religious mystical subjects and classical pagan themes painted in a pre-Raphaelite style. Much of Solomon’s work was homoerotic, and in 1871 his prose poem on the theme of same-sex male love, “A Vision of Love Revealed in Sleep,” was attacked. His arrest and conviction for gross indecency in 1873 destroyed Solomon’s career and led to years of social condemnation, alcoholism, and poverty.
Simeon Solomon’s The Moon and Sleep was inspired by the Greek story of Endymion, a beautiful youth beloved of Selene, the goddess of the moon. Zeus granted Endymion ageless immortality, subjecting…
This gold, repoussé, punched, and engraved goblet was used for kiddush (the ritual sanctification of the Sabbath over wine) in the home of the Speyers, a prominent and wealthy family in the Jewish…
Survivors Are Not Heroes stands five meters tall on the St. George Campus of the University of Toronto. Etrog intended the bronze sculpture to serve as a critique of traditional war memorials, which…