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Heder
Jacques-Émile-Édouard Brandon
1870
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Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
Three representatives of the Prague Burial Society in the 1730s are pictured in these portraits: Jonas Jeitteles (1735–1806, the community’s official physician), Rabbi Leib Fayvel Dayan (another…
These richly decorated Torah finials (rimonim), cast in silver and partly gilt, and adorned with many bells and topped with crowns, were created in London. The non-Jewish silversmith William Spackman…