Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
These pages are from a manuscript, De dificuldade de ourinar (On Difficulty in Urinating), by a Jewish physician and surgeon in Amsterdam, Samuel de Leon Benavente (1643–1722). He was known for his…
Well at Beersheba. This well was in use during the ninth and eighth centuries BCE and again in the Persian and Hellenistic periods (6th–2ndcenturies BCE). It is found just outside the city gate. The…