Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
A British Holocaust denier accused Professor Deborah Lipstadt of libel under British law. Many were surprised that Lipstadt decided to go to court. Lipstadt explains what was at stake in her decision.
After noticing the prevalence of red and pink in a 1990 catalogue of Greta Garbo’s art collection, Livneh became attracted to colors. Red and orange predominated in some of his works and were…