Solomon Nunes Carvalho, the son of a prominent Sephardic family in Charleston, South Carolina, had a career as both a painter and a photographer. While he was a distinguished portraitist, he also painted other subjects including his childhood synagogue, Kahal Kadosh Beth Elohim. In the 1840s, Carvalho made daguerreotypes, and in 1853 and 1854, he accompanied General John C. Fremont as the official photographer for an expedition through the territories of Kansas, Colorado, and Utah. Carvalho subsequently had studios in New York, Philadelphia, Baltimore, and Charleston and was active in the Jewish communities of those cities.
The proliferation of the press and travel by steamship (and toward the end of the period, railroad) brought descriptions of far-flung parts of the world and reports about Jews living in them from one corner of the globe to another.
Solomon Nunes Carvalho painted this portrait of Wakara (ca. 1808–1855) of the Timpanogos tribe (later chief of the Utah Indians) after returning from a trip to the territories of Kansas, Colorado, and…
In late 1897, Camille Pissarro, the noted impressionist artist, known for his many landscapes and cityscapes, came to Paris and rented a room in the Hôtel du Louvre, which gave him a good view of the…
This illustration depicting Rosh Hashanah services in a synagogue appeared in the book Jüdisches Ceremoniel (Jewish Ceremonial Customs), by Paul Christian Kirchner, a Jewish convert to Christianity…