Solomon Nunes Carvalho, the son of a prominent Sephardic family in Charleston, South Carolina, had a career as both a painter and a photographer. While he was a distinguished portraitist, he also painted other subjects including his childhood synagogue, Kahal Kadosh Beth Elohim. In the 1840s, Carvalho made daguerreotypes, and in 1853 and 1854, he accompanied General John C. Fremont as the official photographer for an expedition through the territories of Kansas, Colorado, and Utah. Carvalho subsequently had studios in New York, Philadelphia, Baltimore, and Charleston and was active in the Jewish communities of those cities.
The proliferation of the press and travel by steamship (and toward the end of the period, railroad) brought descriptions of far-flung parts of the world and reports about Jews living in them from one corner of the globe to another.
The River Jordan runs through the valley and empties into Great Salt Lake. The city is thirty miles from the Lake, and the valley is entirely surrounded with high mountains topped with snow, winter…
E. O. W. Nude is considered one of Frank Auerbach’s masterpieces, an example of his distinctive painting style, which focused on the paint itself. The paint surface is thick enough to become almost…
The Dutch Sewing School is from a period in Max Liebermann’s career when Dutch peasants were a common subject in his work. The sewing school seen here was in an orphanage in Amsterdam. While he…