Born in New York, photographer Vivian Cherry began working in the 1940s, and in 1947 she joined the social realist Photo League. She studied with Sid Grossman, one of its founders. After an extended break from photography, from 1957 to 1987, Cherry took up her camera again. She exhibited extensively and her works are part of the permanent collections in numerous museums, including the National Portrait Gallery in London and the Smithsonian Institution in Washington, D.C.
Amulets were crafted to protect pregnant women and newborn children from the powers of the evil Lilith, Adam’s mythical first wife. Mystical texts surround this image, written in Hebrew, Aramaic, and…
In the 1940s and 1950s, Endre Bálint’s paintings began to feature mythological and fantastical symbols and figures, in a style sometimes reminiscent of Hungarian folk art and archaic art. In…
Lately, there’s no trace left
Of Yankl, son of Yitskhok,
But for a tiny round dot
That rolls crazily through the streets
With hooked-on, clumsy limbs.
The lord-above surrounded
The whole world with…