The painter David Bomberg was one of the “Whitechapel Boys,” the cohort of British Jewish writers and painters who emerged from the immigrant quarter of East London in the early twentieth century. He studied at the Slade School of Fine Art from 1911 to 1913 but was expelled for the radicalism of his style, which was influenced by Italian futurism and cubism. After the war, his style changed, and he began to focus on landscapes. From 1923 to 1927, he painted and sketched in Mandate Palestine with the financial support of the Zionist movement. He is considered one of the great painters of twentieth-century Britain.
The blue and white abstract shapes in The Mud Bath evoke human figures in motion against a field of red. Are they meant to be people at a public bathhouse? Or are they interpreted that way because the…
I read the serial article included in your esteemed periodical . . . signed by Dr. Amin Effendi al-Khuri; on finishing it, I realized that it had been written in response to an earlier article on the…
Founded in 1897 in New York City, the democratic socialist Yiddish daily Forverts quickly became the most popular Jewish newspaper in the United States (and the most widely circulated non-English…