The American multidisciplinary artist Man Ray played a major role in the Dada and surrealist movements of the Parisian avant-garde in the 1920s. Born Emmanuel Radnitzky in Philadelphia, he adopted a pseudonym early on in his career, as did many other Jews working in the period. After meeting and collaborating with the French artist Marcel Duchamp, in 1921 Man Ray moved to Paris, where he opened a photography studio. There he experimented with art film and photography, creating his signature “rayographs,” commonly referred to as photograms, in which objects were collaged onto photosensitive paper and exposed to light, producing quasi-abstract, black-and-white images. During World War II, Man Ray lived in the United States, but in 1951 he returned to Paris.
The 1910s were a time of experimentation for Man Ray. Inspired by the paintings of European modernists at the Armory Show in New York in 1913, he began painting in an abstract style, one that…
Issachar Ber Ryback’s drawings of the painted ceiling of what was known as the Cold Synagogue in Mogilev (today in Belarus) are among the few visual records of the work of the painter Chaim ben…
This Haggadah from Mantua, published by the Christian printer Giacomo Rufinelli under the supervision of Isaac ben Solomon Bassan, relies heavily on the Prague Haggadah of 1526, with the addition of…