The photographer Liselotte Grschebina was born in Karlsruhe, Germany. She and her husband settled in Tel Aviv in 1934. From the 1930s to the 1950s, she took photographs for WIZO, the Palestine Railways, the dairy cooperative Tnuva, kibbutzim, and various businesses. Her work was innovative and startling, portraying subjects through surprising vantage points, strong diagonals, and the play of light and shadow, techniques she had learned in Weimar Germany during the early-twentieth-century revolution in photographic art.
This photograph of a discus thrower refers to the Zionist idea of “muscular Judaism,” in which the “new” Jew would celebrate and cultivate the body, sports, and physical fitness. When Grschebina…
Whatever happened to me on that day seemed to urge me to muster up all my courage and hope. When the ship approached the harbor of Jaffa, many people were there to meet us…
The Jewish Cemetery at Ouderkerk is one of Jacob van Ruisdael’s better-known works. Purchased for use by the Spanish and Portuguese Jewish congregation in Amsterdam in 1641, the cemetery holds twenty…