The photographer Liselotte Grschebina was born in Karlsruhe, Germany. She and her husband settled in Tel Aviv in 1934. From the 1930s to the 1950s, she took photographs for WIZO, the Palestine Railways, the dairy cooperative Tnuva, kibbutzim, and various businesses. Her work was innovative and startling, portraying subjects through surprising vantage points, strong diagonals, and the play of light and shadow, techniques she had learned in Weimar Germany during the early-twentieth-century revolution in photographic art.
This photograph of a discus thrower refers to the Zionist idea of “muscular Judaism,” in which the “new” Jew would celebrate and cultivate the body, sports, and physical fitness. When Grschebina…
This book tells a true story. In it, what was probably the strangest youth who ever lived, shall speak with its own voice. This life needs to be believed, as strange as it may seem. But strangeness…
This detail appears in a relief from the palace of Sennacherib, king of Assyria (r. 705–681 BCE), in Nineveh depicting the Assyrian conquest of Lachish in 701 BCE. (For the full relief, see "Conquest…