The photographer Liselotte Grschebina was born in Karlsruhe, Germany. She and her husband settled in Tel Aviv in 1934. From the 1930s to the 1950s, she took photographs for WIZO, the Palestine Railways, the dairy cooperative Tnuva, kibbutzim, and various businesses. Her work was innovative and startling, portraying subjects through surprising vantage points, strong diagonals, and the play of light and shadow, techniques she had learned in Weimar Germany during the early-twentieth-century revolution in photographic art.
This photograph of a discus thrower refers to the Zionist idea of “muscular Judaism,” in which the “new” Jew would celebrate and cultivate the body, sports, and physical fitness. When Grschebina…
The Unité d'habitation of Nantes-Rezé is an apartment building located in Rezé, a suburb of Nantes, France designed by Le Corbusier. Lucien Hervé photographed the building, as he did many buildings…
A Memento Mori is one of three vanitas pictures in a series commissioned by Isaac de Matatia Aboab, a wealthy East India merchant, emphasizing the impermanence of material pleasures and the transitory…