The Russian-born painter Abraham Manievich studied painting in Kiev and Munich and enjoyed early success. After the Russian Revolution, he returned to Kiev, where he taught until immigrating to the United States in 1921. His most striking work is in the cubo-futurist style. The mislabeled Destruction of the Ghetto, Kiev (there was no ghetto in Kiev), with its harsh angularity, refers to the Kiev pogrom of 1919, in which one of his sons was killed.
Oh, Ghingeli, my bleeding heart,
Who is this guy who dreams in snow
And drags his feet like a pair of logs
In the middle of the street at night?
It is the rascal Moyshe-Leyb,
Who will freeze to…
In 1903, the paintings of Abel Pann had helped draw attention and international outrage to the Kishinev pogrom. Pann again used his art to document the devastation of Jewish communities in Eastern…
This eighteenth-century map of Venice includes the ghetto within which the city’s Jews were required to live from 1516 until Napoleon’s conquest of the Republic of Venice in 1797. The Venice ghetto…