The well-known American set designer Boris Aronson was born in Kiev and came of age during the Russian Revolution. Initially, he worked in various media: painting, sculpture, and costume design, as well as scenic design. While in Moscow, he embraced the constructivist style. He left the Soviet Union and, after a short time in Berlin, settled on the Lower East Side of New York City in 1923. He began designing sets and costumes for the more experimental Yiddish theaters and then, in the early 1930s, began to work on Broadway. He was responsible for the design of major Broadway productions, including The Crucible, The Diary of Anne Frank, Fiddler on the Roof, Cabaret, Follies, and A Little Night Music. He won the Tony Award for set design six times.
Question: From Rhodes. When the Lord expanded the borders [see Deuteronomy 19:8] of the dispersion of the diaspora and granted us a remnant and remainder in the kingdom of Turkey, He treated us with…
When Claude Cahun took this self-portrait photograph, she was still Lucy Renee Mathilde Schwob and had not yet adopted her new gender-neutral name. She is wearing a pinafore, sitting quietly at a desk…
One day, I was reading a certain book, which contained eight commentaries on the Song of Songs. More precious than pearls they are; all of their commentaries are sapphires, the words of the living God…