The well-known American set designer Boris Aronson was born in Kiev and came of age during the Russian Revolution. Initially, he worked in various media: painting, sculpture, and costume design, as well as scenic design. While in Moscow, he embraced the constructivist style. He left the Soviet Union and, after a short time in Berlin, settled on the Lower East Side of New York City in 1923. He began designing sets and costumes for the more experimental Yiddish theaters and then, in the early 1930s, began to work on Broadway. He was responsible for the design of major Broadway productions, including The Crucible, The Diary of Anne Frank, Fiddler on the Roof, Cabaret, Follies, and A Little Night Music. He won the Tony Award for set design six times.
This illustration from a book of prayers for the Jewish Gravediggers Society depicts the cycle of life. Figures of men and women in pairs ascend and descend the staircase, progressing from youth to…
This is a modern artist’s illustration of a painting of a seated male in profile, perhaps an enthroned dignitary. The painting was made on a potsherd from Ramat Rahel. It measures around 5 × 3 inches…
From the day that God confused all the languages of the land [see Genesis 11:9], through the bitter and rapid exile of the expulsion from Spain, since then all good things have ended for us; our glory…