All that had happened to him lay behind him like a yawning abyss. There was a strange excitement for him in his adjustment, an intoxication beyond fear. His movements were untrammeled, and as a result…
A Portuguese-language advertisement for February 5–6, 1915, performances in Rio de Janeiro, Brazil, of the Grande Companhia Israelita’s adaptation of Tolstoy’s novella The Kreuzer Sonata.
By the mid-1920s, Zadkine had shifted from a purely cubist style to a new approach that drew on African and classical Greek art. His subject matter was often inspired by stories from the Bible and…