Amalia Moscovitz was born in Budapest and raised primarily on the estate of her affluent, assimilated family in Alsókörtvélyes (today Hrušov, Slovakia). Anna Lesznai—her artistic pseudonym—became active in Budapest’s avant-garde salons as a teenager. She wove her many different media—painting, poetry, illustration, scholarship, folktales, and Hungarian embroidery (himzés)—into a coherent artistic-intellectual modernist aesthetic. In 1939, Lesznai fled Hungary for America, with her soon-to-be (third) husband, Tibor Gergely. There she taught pedagogical and applied arts at Wellesley College and elsewhere.
I am the creeper, the wild one
Climbing your garden hedge,
Reaching, a red one, a wild one,
Up to your window ledge;
To inhale your dress’ rustling
As on your floor I lay,
To pale in the light of…
Just then Don Iudá took off his coat and greeted us one by one. My mother, out of breath as we’d been in such a hurry to come, explained everything in short choppy phrases.
We children would stay…