The Old Man and the Girl
Mordechai Dato
16th Century
Do not mock me for singing songs of lust now that I have grown old. Does not the ember glow beneath the ashes? So is my heart awake within me even when I sleep. It is on fire for love of my partner; I love her as dearly as my own soul, my mainstay. My hair has taken on the color of the moon, but my mettle is the same, and that is all that matters…
Creator Bio
Mordechai Dato
The Italian kabbalist Mordechai Dato composed numerous piyyutim (liturgical poems) and Judeo-Italian prayers. Some survived in manuscript, and others were printed in Ashmoret ha-boker (Dawn Watching; Venice, 1720/21) by Aaron Berekhiah of Modena. In addition, Dato wrote biblical commentaries and sermons, which likewise survived in manuscript form, as did his letters on kabbalistic and halakhic matters. Igeret levanon (Letter of Lebanon), by his son, is an account of Dato’s visit to Safed. Dato’s Megilat Esther (The Scroll of Esther) in Ottava Rima is a verse retelling—in Judeo-Italian and therefore more accessible to female readers—of the biblical story of Esther. This story was popular among New Christians, presumably because its heroine was compelled to dissimulate her religious identity; it also provided a model for diaspora Jews in difficult times, as it promised eventual divine redemption.
Related Guide
Early Modern Jewish Languages (1500–1750)
As Ashkenazi and Sephardi Jews migrated eastward, Yiddish and Ladino emerged as distinct languages. Both languages developed literary traditions, as print became more widespread.
Related Guide
Literature and the Arts, 1500–1750
Jewish literary creativity flourished in the early modern period, dominated by Hebrew poetry that blended religious themes with Renaissance forms.