The painter and political cartoonist William Gropper was born in New York City, the son of East European immigrants who worked in the garment industry. A political radical who was sympathetic to communism (but was never a party member), Gropper contributed political cartoons in the interwar years to both radical and liberal newspapers and magazines. He painted in a representational style that employed cubism’s pronounced angularity. In the 1930s, he received government and business commissions for murals. In the wake of the Holocaust, he turned frequently to explicitly Jewish themes.
Survivors Are Not Heroes stands five meters tall on the St. George Campus of the University of Toronto. Etrog intended the bronze sculpture to serve as a critique of traditional war memorials, which…
Kehunat Avraham (The Priesthood of Abraham), completed in Venice in 1719, is an interpretation and retelling of sections from the book of Psalms in verse. The Hebrew text in this illustration comes…
Today, the world was unfurled once more and renewed.
The teeming earth, the whispering green, the swelling bud.
Everything shook, as the tense body of a virgin
Becoming a joyful wife might be shaken…