The painter and political cartoonist William Gropper was born in New York City, the son of East European immigrants who worked in the garment industry. A political radical who was sympathetic to communism (but was never a party member), Gropper contributed political cartoons in the interwar years to both radical and liberal newspapers and magazines. He painted in a representational style that employed cubism’s pronounced angularity. In the 1930s, he received government and business commissions for murals. In the wake of the Holocaust, he turned frequently to explicitly Jewish themes.
In reference to the deceased’s name, the central verse fragment on this monument reads “And Mordechai came before the king . . .” (Esther 8:1), and the top panel contains a low relief of a richly clad…
Survivors Are Not Heroes stands five meters tall on the St. George Campus of the University of Toronto. Etrog intended the bronze sculpture to serve as a critique of traditional war memorials, which…
Few works by Louise Nevelson allude to Jewish themes. Homage to the Six Million is one of the exceptions. She said of her sculpture that she hoped it would create “a living presence of a people who…