The painter David Bomberg was one of the “Whitechapel Boys,” the cohort of British Jewish writers and painters who emerged from the immigrant quarter of East London in the early twentieth century. He studied at the Slade School of Fine Art from 1911 to 1913 but was expelled for the radicalism of his style, which was influenced by Italian futurism and cubism. After the war, his style changed, and he began to focus on landscapes. From 1923 to 1927, he painted and sketched in Mandate Palestine with the financial support of the Zionist movement. He is considered one of the great painters of twentieth-century Britain.
Before World War I, Bomberg depicted the East End of London, where he had grown up, as a site of immigrant vitality. After a harrowing experience in the trenches and difficulties after the war…
Like many of Gertrud Natzler's ceramics, this bowl is flowing and graceful, and, as Otto, her husband and artistic partner, said about her pots in general, “practically floats.” The Natzlers’ works…
Cover of L’Ornement Hebreu (The Hebrew Ornament). This major work on Jewish art reproduced ornaments from medieval Hebrew illuminated manuscripts in the imperial library in St. Petersburg, Russia.