The Russian-born painter Abraham Manievich studied painting in Kiev and Munich and enjoyed early success. After the Russian Revolution, he returned to Kiev, where he taught until immigrating to the United States in 1921. His most striking work is in the cubo-futurist style. The mislabeled Destruction of the Ghetto, Kiev (there was no ghetto in Kiev), with its harsh angularity, refers to the Kiev pogrom of 1919, in which one of his sons was killed.
This engraving depicting a Jewish woman in Cairo, Egypt, is from Cornelis de Bruyn’s travelogue, Reizen van Corn de Bruyn door de vermaardste deelen van Klein Asia, de eylanden Scio, Rhodus, Cyprus…
The Church of St. Elizabeth, located in Bratislava (today in Slovakia), was designed by Ödön Lechner in the Hungarian Secession (art nouveau) style. It is called the Blue Church because of its blue…
Hybrid creatures with four wings supporting deity in Persian seal impression, 6th or 5th century BCE. Biblical imagery and ancient Near Eastern iconography offer some parallels to the creatures…