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This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
Contributor:
Louis Lewandowski
Places:
Berlin, Germany
Date:
1876
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Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
Contributor:
Samuel Naumbourg, Salamone de Rossi
Places:
Paris, France
Date:
1876
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The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
Contributor:
Abraham Baer
Places:
Gothenburg, United Kingdoms of Sweden and Norway (Göteborg, Sweden)
Date:
1877
Categories:
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Aggudat Shirim (Collection of Songs) was one of several collections of synagogue music published by Samuel Naumbourg between 1847 and 1874. It included a scholarly article about Jewish music.
Contributor:
Samuel Naumbourg
Places:
Paris, France
Date:
1874
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The manuscript is believed to be the earliest extant Reform Jewish liturgical composition. An early example of the work of Giacomo Meyerbeer, “Hallelujah” was probably prepared for use at a service at…
Contributor:
Giacomo Meyerbeer
Places:
Berlin, Kingdom of Prussia (Berlin, Germany)
Date:
1847
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In the first place, it behoves us to fight the opinion that the regeneration of the service can be achieved only by a complete break with the past, by abolishing all traditional and inherited…
Contributor:
Salomon Sulzer
Places:
Vienna, Austro-Hungarian Empire (Vienna, Austria)
Date:
1876
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In this table, giving the notation for chanting the Torah, the musical notes indicate the melody of each cantillation mark, while the Hebrew words below them indicate the name and shape of the mark.
Contributor:
Unknown
Places:
Holy Roman Empire (Germany)
Date:
ca. 1611