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Program cover of a 1911 performance of the Ballet Russe at the Théâtre du Châtelet in Paris, showing Léon Bakst’s costume design for Narcisse.
As a symbol of the past—all sadness and humility—my mother’s face swims up and rises before my eyes. Her eyes two black abysses, anguish peering from them; her lips moist and rosy, a smile always…
Having risen from behind the Judean hills late at night, the moon illuminated the Yemenite neighborhood and the nearby bushland; it played a magical game there between the trees. It hid behind them…
[The first act is set in Tuscany in September. The second and third acts are set in Rome in January.]
Houses hold virgins
The doors on the chain
‘Plumb streets with hearts’
‘Bore curtains with eyes’
Virgins without dots
Stare beyond probability
See the men pass
Their hats are not ours
We …
Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…
Postcards, such as this image of the actress as Cleopatra, advertised Sarah Bernhardt’s celebrated performances for global audiences. Born Henriette-Rosine Bernard to a Jewish courtesan of Dutch…
Constantinople [Istanbul], April 8, 1911
Dear Mrs. N.,
I hear unanimously and consistently that the market [for prostitution—Eds.] in Constantinople is ninety percent Jewish women, that almost all…
New York January 17, 1915
Dear Mrs. Julius Rosenwald,
Let me congratulate you and Palestine upon having secured as you tell me in your telegram, a “splendid response from a local” [Chicago Jewish…
A. O my sisters! O my daughters! O women, my people and pride! Hear my words, understand my musings, consider my way, for I am your brother. I have gathered for you beautiful words, chosen from the…