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The female figure, especially dancers, were a favorite subject for Moses Soyer. He was especially inspired by Edgar Degas and Honoré Daumier, whose paintings he had the opportunity to examine…
Among the figures of contemporary ballet on the Maryinsky’s stage, Mathilda Kshesinskaya constitutes a phenomenon of exceptional interest. Her name enjoys great fame, her talent—unusually brilliant…
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
“You be the man. You lead!”
So his mother commanded him, taking his reluctant hands and putting them firmly around her middle. “Go on, lead!” She smiled at him. He could feel her breath on his face…
“Tanzstudie,” from Hans Brandenburg’s Der moderne Tanz.
Verse 1Sadie Cohen left her happy homeTo become an actress lady,On the stage she soon became the rage,As the only real Salomy baby.When she came to town, her sweetheart MoseBrought for her around a…
The day my heart was troubled doubly,By your love, O crown unto my head,Delight and joy were mine beside the sheepfolds,When your beauteous traits were joined to me.Lovely are your dancing steps, you…
[…] Didn’t she go to all the weddings in the neighbourhood? All that she got wind of, anyhow, and that were big enough for the dance to be given in a hall or a synagogue basement. A lot of them took…
Program cover of a 1911 performance of the Ballet Russe at the Théâtre du Châtelet in Paris, showing Léon Bakst’s costume design for Narcisse.
Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…