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The female figure, especially dancers, were a favorite subject for Moses Soyer. He was especially inspired by Edgar Degas and Honoré Daumier, whose paintings he had the opportunity to examine…
Helen Frankenthaler’s approach to painting forged a new direction for modern art. She developed a technique in which thinned oil paint seeped directly into the canvas, staining the fabric and yielding…
This exquisite jewelry box was crafted in Nuremberg, Germany, before 1540 and given to a bride for her wedding. Etched in steel, copper-plated, and partly gilt, the panels, on four sides and the lid…
Pissarro inhabited the French countryside villages of Pontoise and Eragny and was a keen observer of rural life. His dignified depictions of peasant labor and sociability, such as this lively poultry…
This bronze statue, The Captive, also known as The Slave, is one of the allegorical sculptures for which Maria Dillon is best known. It depicts a woman, whose hands are bound behind her back, bowing…
Among the figures of contemporary ballet on the Maryinsky’s stage, Mathilda Kshesinskaya constitutes a phenomenon of exceptional interest. Her name enjoys great fame, her talent—unusually brilliant…
The Meeting, Schulz’s only surviving oil painting, obliquely explores a theme he returned to many times in his writing and art, namely, sadomasochism, this time in the context of an encounter between…
The Gerush (Hebrew for “expulsion”) synagogue in Bursa, Turkey, dates back to the early sixteenth century and is unique in its dual-ark design; one upper section is located in the women’s gallery…
Beatriz Mendes Beneviste (Doña Gracia the Younger) was born in 1540 in Antwerp. She was the niece of the wealthy and influential Doña Gracia Nasi. In 1544, the family, New Christians of Portuguese…
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
