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A detailed description of the priests’ sacral vestments in Exodus 28 provides written evidence of sacred dress and adornment, although neither archaeological evidence nor pictorial representations for…
This detail appears in a relief from the palace of Sennacherib, king of Assyria (r. 705–681 BCE), in Nineveh depicting the Assyrian conquest of Lachish in 701 BCE. (For the full relief, see "Conquest…
This relief from Sennacherib’s palace shows workers rebuilding Nineveh, harnessed by shoulder straps to ropes by which they haul a large bull colossus toward the palace. Workers from various places…
The fibula, which replaced the toggle pin during the Iron Age, is similar to a modern safety pin. It had a main bent section with a clasp, which was often elaborately decorated, and a simple straight…
This mirror was found in the Moringa burial cave at En Gedi; its tang would have been fitted into a handle, now missing, made of metal, ivory, or bone (see Ivory and Bone Carvings and Engraved…
These cosmetic implements from Gibeon include a limestone bowl decorated with small, incised circles and two bronze spatulas. Tweezers for plucking hairs have also been found.
This comb is from a Philistine site at Ekron, but combs looked the same throughout the region.
On this ceramic double pipe from Tel Malhata, the musician uses one hand on each pipe to control pitch. Usually women played the double pipe, but in this case, it is a man. This double pipe is…
This detail appears on the right side of a pithos (storage jar) from Kuntillet Ajrud. The seated figure plays a lyre held away from the body. There seem to be four strings, oriented vertically…
Depicted in a relief from Sennacherib’s Palace in Nineveh, these musicians, followed by an Assyrian soldier, hold stringed instruments against their chests, plucking the strings as they walk. Dressed…
