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In this terra-cotta figurine from Beersheba, 5.5 inches (14 cm) high, the face is made by pinching the clay to draw out the nose, thereby forming the eye sockets. The nose has a beak-like appearance…
This terra-cotta figurine from Lachish is very schematic, and the rider’s legs are not shown. The rider cannot represent an average person because people—even kings—more often rode on donkeys and…
In this terra-cotta dove figurine from Beth Shemesh, 4 inches (10 cm) long, care was taken with the shape of the head and body and in showing the tail by painted lines. Yet there are no feet and the…
This faience amulet from Lachish depicts the Egyptian goddess Isis sitting on a throne and holding her son, the god Horus, on her lap, a common artistic motif in Egyptian amulets. The legs are broken…
The backs of many bullas, like those shown here from the City of David in Jerusalem, have impressions of the strings that once tied the rolled document and marks from the papyrus fibers of the…
This seal, found in En Gedi, is made of brown mottled dolerite and decorated with lines and dots that surround and separate the names.
The rosette, impressed on a jar handle here, may have been a royal insignia during the last decades of the Judean monarchy, around the late seventh century BCE. It was found at Ramat Rahel, an…
This image, found at En Gedi, depicts a prancing or galloping horse with its head and right foreleg raised. The high level of skill shown in the realistic engraving makes it one of the finest seals…
In the ancient Near East, images of paired lions served as guardians at building entrances and on furniture, where these two figurines from Samaria were presumably placed. According to 1 Kings 10:19…
This ivory relief bears a common motif, found in ivories from Syria and nearby areas as well: a woman stares straight out from a window set in a triply recessed frame with a balustrade in front. Her…
