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Illustration from the German translation of Morris Rosenfeld’s Yiddish “sweatshop” poems, Lieder des Ghetto (Songs from the Ghetto). The illustrations in the deluxe book are in the art nouveau style…
This banner of the London Jewish Bakers’ Union calls for (in both English and Yiddish) an eight-hour workday and an end to night work, for people to buy only bread “with the union label,” and for…
Members of the Bund (General Union of Jewish Workers in Lithuania, Poland, and Russia), Po‘ale Tsiyon, the Socialist-Zionist party, and Jewish trade unions, along with representatives of the Russian…
Song without Words, painted in Jaffa ca. 1911–1913. Like many of Jan’s works, this painting is suffused with poetic and atmospheric symbolism. Here, a beautiful young woman with haunted eyes holds a…
Harvesting and threshing in Egyptian painting, from the tomb of Pa-heri (New Kingdom, 18th dynasty, 15th century BCE). In the lower register, on the right, reapers are followed by a woman and child…
Drawing of a wooden synagogue from Maximilian Syrkin’s 1910 article, “Drevníya derevyannyye sinagogi v pol’she litve” (Wooden Synagogues in Polish Lithuania). Wooden synagogues were a common form of…
Leonid Pasternak painted young men of the Moscow intelligentsia in student accommodations engaged in an evening study session fueled by tobacco and tea, with a bed depicted on the left and a samovar…
Max Liebermann frequently traveled to Amsterdam. He was attracted to the city because of its connection to Rembrandt, whom he idolized. But he came back again and again, drawn to Amsterdam’s Jewish…
Poster for Wilhelm Wachtel’s exhibition in Lwów (Lviv), 1912.
This is a program for an October 26, 1898, production of Mirele Efros at the Thalia Theatre, located at 46–48 Bowery on New York City’s Lower East Side.
