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Kentridge’s signature practice is to draw an image in charcoal, photograph it, and then repeatedly erase, redraw, rephotograph it, and then animate it on film. Felix in Exile is the fifth film in…
In the hot tranquillity of Sunday afternoons in Lusaka, beyond the shrill whistle of the cicadas and the drone of radio sports commentaries, we could hear the muffled thudding of tribal drums.
The…
