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My restlessness is of a wolf, and of a bear my rest,
Riot shouts in me, and boredom listens.
I am not what I want, I am not what I think,
I am the magician and I’m the magic-trick.
I am an ancient…
I am a circus lady
And dance among the daggers
Set in the arena
With their points erect.
My swaying, lissome body
Avoids a death-by-falling,
Touching, barely touching the dagger blades.
Holding…
When the engagement of two parties occurs, many Jews are invited, young and old, and they gather in a big room and each of the young Jews has a new…
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
The cover of this Yiddish-language program is for a performance of Di tsvey Kuni Lemels (Two Kuni Lemels) at Goldfaden’s Yiddish Theater. The image features two dancing men in Hasidic attire. The play…
The ballet season has begun with Swan Lake, in which the young ballerina Tamara Karsavina performed twice. The public is clearly interested in ballet, and among various segments of the Petersburg…
When about two years ago the wish arose in me to explain the artistic basis of the new trends evident in the “Ballets Russes,” my attempt, which appeared as an article entitled “On the New Ballet” (Ap…
On this clay plaque from Dan, from the Late Bronze (Canaanite) period, a man is playing a lute while dancing. The position of the performer’s legs shows that he is doing a lively dance.
Seals from numerous sites in ancient Israel and elsewhere in the Levant have schematic depictions of two or three people with hands linked or raised, reaching toward each other. All the members of the…
“You be the man. You lead!”
So his mother commanded him, taking his reluctant hands and putting them firmly around her middle. “Go on, lead!” She smiled at him. He could feel her breath on his face…