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Like many of Nevelson’s best-known works, End of Day XXXV is made of wood painted a matte black, a color she characterized as “visually weightless.” Many of her sculptures were built from found…
Contributor:
Louise Nevelson
Places:
New York, United States of America
Date:
1973
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Though he later turned to a more abstract style, Elbert Weinberg was still making figurative sculptures in the early 1950s, when a trend toward pure abstraction was already dominant. But Ritual Figure…
Contributor:
Elbert Weinberg
Places:
Date:
1953
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The rough-hewn sculptures that Epstein created early in his career, like that of the painter Jacob Kramer (1892–1962), departed from the conventions of classical Greek sculpture in a radical way that…
Contributor:
Jacob Epstein
Places:
Leeds, United States of America
Date:
1921
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Herbert Ferber’s twelve-foot-high sculpture was originally commissioned to adorn the façade of Congregation B’nai Israel in Milburn, New Jersey. Percival Goodman, the new building’s architect…
Contributor:
Herbert Ferber
Places:
New York, United States of America
Date:
1951–1952
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Berman’s best-known work is her Holocaust memorial for the Stroum Jewish Community Center on Mercer Island in Washington State. The twelve-foot-high bronze sculpture consists of stylized Hebrew…
Contributor:
Gizel Berman
Places:
Seattle, United States of America
Date:
1981