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[The writings of the nineteenth-century maskilic writers] Perets Smolenskin and Yitsḥok Erter opened cracks in the faith of Hasidic young men [like Asch himself]. Their life of [Talmud] study without…
With this collection, we intend to launch a particular trend in Yiddish poetry which has recently emerged in the works of a group of Yiddish poets. We have chosen to call it the Introspective…
Our classroom was on the upper floor and in the rear of the building. Its two large windows opened on a garden which, because it could be reached only by crossing M. Shalom’s apartment, was forbidden…
[ . . . ] Similarly, the Russian Jews use the traditional rhyming couplet in those verses that chronicle a historical event or inculcate an ethical truth. The real folksongs, however, are set to music…