Showing Results 1 - 6 of 6
Restricted
Image
This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
Contributor:
Louis Lewandowski
Places:
Berlin, Germany
Date:
1876
Categories:
Restricted
Image
Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
Contributor:
Samuel Naumbourg, Salamone de Rossi
Places:
Paris, France
Date:
1876
Categories:
Restricted
Image
The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
Contributor:
Abraham Baer
Places:
Gothenburg, United Kingdoms of Sweden and Norway (Göteborg, Sweden)
Date:
1877
Categories:
Restricted
Image
“Shir ha-ma‘alot (Song of Ascents),” Psalm 126, is customarily recited or sung before the Grace After Meals on the Sabbath and festivals. There are many different tunes for the song. A Yiddish…
Contributor:
Michael Joseph Guzikov
Places:
Lyady, Russian Empire (Lyady, Belarus)
Date:
1827
Subjects:
Categories:
Public Access
Image
Aggudat Shirim (Collection of Songs) was one of several collections of synagogue music published by Samuel Naumbourg between 1847 and 1874. It included a scholarly article about Jewish music.
Contributor:
Samuel Naumbourg
Places:
Paris, France
Date:
1874
Subjects:
Categories:
Restricted
Image
In this table, giving the notation for chanting the Torah, the musical notes indicate the melody of each cantillation mark, while the Hebrew words below them indicate the name and shape of the mark.
Contributor:
Unknown
Places:
Holy Roman Empire (Germany)
Date:
ca. 1611