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The Bah (Bayit Hadash) was asked concerning the practice in synagogues of using music which is sung in the houses of worship (of non-Jews). It is only forbidden regarding…
This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
A copy of the letter from the perfect sage R. Samuel Norzi, of blessed memory, in which he seeks to permit, as per his opinion, the singers [in the synagogue] to…
Hear, O Israel, descendants of holy ones: see that newcomers have recently arrived intending to make grapes, but instead have produced wild grapes [see Isaiah 5:2]. There is no local foundation for…
Let the elders rejoice and the discerning be glad, the students and rabbis be happy, and the princes and the officers, and the wealthy and the needy exult, with the poor and those lacking sustenance…
Let us begin with the most basic questions: Can oral traditions of music constitute a reliable source for historical research? While this question is applicable to most music…
The music for “Se’u She‘arim (Lift Up Your Heads, O Gates)” resembles the choral marches found in grand opera. The words are from Psalm 24: O gates, lift up your heads! Up high, you everlasting doors…
Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
A halakhic decision written by Netanel Trabotto about singers [accompanying prayer in the synagogue] who repeated the word crown as well as the Name of God, and they…