Showing Results 11 - 20 of 21
Cover image and page 4 of Moyshe Broderzon’s Temerl, illustrated by Joseph Chaikov.
Rachel Bernstein-Wischnitzer’s cover design for Istoria evreiskago naroda (History of the Jewish People) features a title with dramatically stylized letters and a gold and black pattern that evokes…
The Strabismic Jew is one of Baskin's most famous prints. “Strabismic” means “squinting” and, indeed, the Yiddish inscription reads “The Jew with the squinty eyes.” In this enigmatic woodcut, the face…
In 1981, Anastasi (who is not Jewish) began working on a series of works featuring the word “Jew,” because of its “charged” positive and negative valences. Untitled (jew) is composed of four canvases…
Cover of Else Lasker-Schüler, Hebraische Balladen. Most of the poems in this volume have biblical themes. The drawing on the cover is by Lasker-Schüler, who often illustrated her published poetry. It…
Cover of L’Ornement Hebreu (The Hebrew Ornament). This major work on Jewish art reproduced ornaments from medieval Hebrew illuminated manuscripts in the imperial library in St. Petersburg, Russia.
The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…
Cover of the first issue of La vida nuestra (Our Life), a monthly Jewish culture journal published in Buenos Aires, Argentina, between 1917 and 1923. The typography used for the periodical’s title…
Segalove mines her own life for personal narratives as a source for her feminist, conceptual, video, and performance art. Jewish Boys, a photograph of text, tells an anecdote about her first day in a…
Cover page of G. Bocz’s Yiddish-language biology textbook, Geviksn: Baarbet Avrom Golomb (Plants: Reworked by Avrom Golomb).
