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Hebrew Melodies was a collaboration between the English poet Lord Byron (1788–1824) and his friend, the Jewish composer Isaac Nathan. It is a collection of thirty poems by the poet, set to music by…
The Bah (Bayit Hadash) was asked concerning the practice in synagogues of using music which is sung in the houses of worship (of non-Jews). It is only forbidden regarding…
This setting for Psalm 92 is one example of the innovative music composed by Louis Lewandowski, Samuel Naumbourg, and Salomon Sulzer (1804–1890) for the synagogues of the new Reform movement. Their…
If I was indeed engaged in my youth with singing and the musical art, surely it is the most magnificent of the arts, and I have elucidated its beneficial effects in the Abir Ya‘akov in this commentary…
May the language of truth be established forever, or as the poet …
The music for “Se’u She‘arim (Lift Up Your Heads, O Gates)” resembles the choral marches found in grand opera. The words are from Psalm 24: O gates, lift up your heads! Up high, you everlasting doors…
Salamone de Rossi (1570–1630), composer, singer, violinist, and musician in the Gonzaga court in Mantua, is best known for his introduction of polyphony into synagogue music. Composer Samuel Naumbourg…
The first edition of Baal T’fillah was published in 1871. A compendium of over 1,500 Jewish traditional melodies, according to the traditions of German, Polish, and Portuguese (Sephardic) Jews, the…
The lack of a Hebrew songbook for Jewish schools in the East is known and felt by all Hebrew teachers generally and music teachers, in particular. Although several collections have been…
“Shir ha-ma‘alot (Song of Ascents),” Psalm 126, is customarily recited or sung before the Grace After Meals on the Sabbath and festivals. There are many different tunes for the song. A Yiddish…
