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The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…
for Aaron Lebedeff (1873–1960), performer on the Yiddish stage
Bewildering clarity of tongues:
names you never heard, food
you never ate, a wild dance
you never learned, light hanging
in the sky…
This is a program for an October 26, 1898, production of Mirele Efros at the Thalia Theatre, located at 46–48 Bowery on New York City’s Lower East Side.
Esteemed Friend and Editor:
Recently a friend of mine, who is a member of the Workmen’s Circle Chorus, visited, bringing with her the…
The Jewish intelligentsia, the Jewish art patrons showed no sign of attention to Yiddish theater. A sickly weakling, it was born in southern Russia forty years ago, and has remained anemic and weak to…
This full-page advertisement for a benefit lunch, to be held that day, December 14, 1898, at the Thalia Theater in New York City, with the famed Yiddish actress Bertha Kalich (ca. 1872–1939), includes…
The Russian Revolution initially lifted restrictions on Jewish publishing, sparking a burst of creativity among Jewish writers and artists. Jewish theater companies experimented with modernist…
The cover of this Yiddish-language program is for a performance of Di tsvey Kuni Lemels (Two Kuni Lemels) at Goldfaden’s Yiddish Theater. The image features two dancing men in Hasidic attire. The play…
The songs that are found in the following collection are genuine folk songs: folk songs in the fullest sense of the word. These songs are now being published for the first time. After having wandered…