The Russian Jewish and Soviet painter, theatrical designer, and sculptor Natan Altman was born in Vinnitsa (today, Vinnytsya, Ukraine). He studied in Odessa from 1903 to 1907 and moved to Paris in 1910, before returning to Russia. Like his contemporaries Marc Chagall and El Lissitzky, the young Altman was influenced by cubism and other emerging postrealist and postimpressionist approaches and generally saw himself as part of the general Russian-European art scene. Yet during World War I and the early years of the Russian Revolution, Altman also briefly grew interested in traditional East European Jewish folk art and in the possibility of a modernist Jewish national art. In those years, he produced his most famous sculpture, entitled Head of a Young Jew (Self-Portrait); an emblem in the Jewish folk style for the Hebraist youth publishing house Ahinoar; and abstract constructivist set designs for the burgeoning modernist Yiddish theater. Altman lived abroad from 1928 to 1935, and when he returned to the Soviet Union, he agreed to work in the then-required style of socialist realism.
Solomon Mikhoels (1890–1948), a Yiddish actor, director of the Moscow State Yiddish Theater (GOSET), and later chair of the Soviet Jewish Anti-Fascist Committee, was an iconic figure of Soviet Jewish…
Early in his career, Castel often painted pictures of Jews, like these, whose roots were in Arab lands. Many at the Bezalel School of Arts and Crafts, where he studied, believed that Yemenite Jews…
The Steerage is considered Alfred Stieglitz’s masterpiece. It marks a departure from the painterly approach he had previously championed in favor of paying more attention to forms, a reflection of his…