The son of an observant Jewish family in Groningen, Holland, Jozef Israëls became one of the foremost Dutch artists of the nineteenth century. After initially painting portraits and historical subjects, in the 1850s Israëls turned to painting genre scenes in a powerful realist style, particularly depictions of the hard lives of fishermen and their families. In the 1870s, Israëls became a leader of the Hague school and achieved international renown. Late in his career, Israëls portrayed Jewish subjects, notably The Son of an Ancient People (1889) and The Jewish Wedding (1903), as well as biblical subjects.
The Last Breath is one of the genre paintings depicting the lives of fishermen and their families for which Jozef Israëls was best known. In this scene, a woman is weeping over the body of her husband…
To one who honors you, Lord, be just,
And may my sonorous work be blessed.
Dear lord, by your will be it wrought
That out of nothing comes a new Thought.
Let it be pure, proud, faithful…
This banner of the London Jewish Bakers’ Union calls for (in both English and Yiddish) an eight-hour workday and an end to night work, for people to buy only bread “with the union label,” and for…