Jacob Gordin

1853–1909

Born in Mirgorod, Russian Empire (today Myrhorod, Ukraine) into a home that was both maskilic and Hasidic, Jacob Gordin received both a traditional and an enlightened education. As a teenager, he contributed to Russian-language newspapers such as Zarya, an organ of the Ukrainian independence movement. Around 1880, Gordin joined the Biblical Brotherhood, a sectarian religious sect that eschewed dogmatic ritual for humanitarian, Tolstoyan ethics and Christian-Jewish syncretism. In 1891, he left Russia with his wife and eight children for New York, where he found work writing in the Yiddish and Russian press and, soon thereafter, as a Yiddish playwright. Gordin’s plays were melodramas that integrated world literature with Jewish motifs and contemporary politics while avoiding the vaudeville and shund (lowbrow) tropes that largely constituted Yiddish theater at the time. He is thus regarded as a pioneer of serious dramatic writing in Yiddish, although his plays came to be seen as aesthetically limited and overly melodramatic already before World War I.

Entries in the Posen Library by This Creator

Primary Source

Mirele Efros

Restricted
Image
This is a program for an October 26, 1898, production of Mirele Efros at the Thalia Theatre, located at 46–48 Bowery on New York City’s Lower East Side.

Primary Source

Mirele Efros

Public Access
Text
Sheyndele:Mother-in-law . . . I want you to know what all of us in this household really feel. You’re getting old. It’s time for you to take a rest. And besides, frankly, you hold the entire estate in…

Primary Source

God, Man, and Devil

Restricted
Text
Hershele:For a long time . . . The first evening that you were with us, on Hanuka . . . you said that . . . that Freydenyu . . . my wife’s niece . . . that . . .Mischief:What could I have said about…