View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
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Born in New York, Helène Aylon was an American ecofeminist artist whose works address biological, ecological, and theological concerns, including the omission of women’s roles in Judaism. The recipient of two awards from the National Endowment for the Arts, Aylon exhibited her artwork across the United States and was writing a memoir. The Liberation of G-d is part of an installation titled Trilogy and Epilogue, in which Aylon highlights misogynist passages.
This is a program for an October 26, 1898, production of Mirele Efros at the Thalia Theatre, located at 46–48 Bowery on New York City’s Lower East Side.
The heading of this advertisement for an “excursion” offered by the Yiddish daily newspaper Forverts reads: “From where are you a landsman?” (i.e., What town did you come from in the old county?). It…
This is one of only four known self-portraits by Camille Pissarro. It was painted around the time that Pissarro and other rebellious artists broke from the traditional art establishment by forming…