Born in New York, Helène Aylon was an American ecofeminist artist whose works address biological, ecological, and theological concerns, including the omission of women’s roles in Judaism. The recipient of two awards from the National Endowment for the Arts, Aylon exhibited her artwork across the United States and was writing a memoir. The Liberation of G-d is part of an installation titled Trilogy and Epilogue, in which Aylon highlights misogynist passages.
Averbuch uses paving stones, railroad ties, steel, glass, and other reclaimed materials in his sculptures, repurposing them but also allowing them to retain signs of their utilitarian past. His works…