Sources available online now cover all published volumes—including the biblical (through 332 BCE) and early modern to contemporary periods (1500–2005). Sign up here for free access and updates.
The Peace Rider
Moti Mizrachi
1986
Disabled from childhood polio, Mizrachi creates sculptures that relate to the physical form of his subjects. His work, as in the Peace Rider, expresses his political position and vision for the future. This is one of several sculptures depicting a figure on a bike with the symbolic wings of peace.
Disabled from childhood polio, Mizrachi creates sculptures that relate to the physical form of his subjects. His work, as in the Peace Rider, expresses his political position and vision for the future. This is one of several sculptures depicting a figure on a bike with the symbolic wings of peace.
Credits
Collection of Israel Discount Bank. Courtesy of the artist.
Published in:The Posen Library of Jewish Culture and Civilization, vol. 10.
Laboring women, suffering women
Women who languish in factory and home—
Why stand at a distance, why build not our temple
Of humanity’s joy, and of freedom sublime?
Help us to bear the red banner…
The setting for The Man Who Flew into Space from His Apartment is modeled on a communal apartment in which Kabakov once lived in Moscow. The walls of the small, shabby space are papered with upbeat…
This remarkable illustration is at the same time a shiviti—traditionally, a decorative plaque bearing the verse: “I am ever mindful of the Lord’s presence”—and a topographic map of the land of Israel…
The work of Israeli artist Moti Mizrachi has been exhibited at the Israel Museum; the Kunsthalle, Dusseldorf; The Jewish Museum, New York; and the Hara Museum of Contemporary Art, Tokyo. In 1980, he represented Israel at the Venice and São Paolo Biennales, and in 2000 at the Poznań and Valencia Biennales. Mizrachi received the Israel Prize of the Ministry of Science and Culture (2002) and the Sandler Prize for Sculpture, Tel Aviv Museum of Art (2003).
Laboring women, suffering women
Women who languish in factory and home—
Why stand at a distance, why build not our temple
Of humanity’s joy, and of freedom sublime?
Help us to bear the red banner…
The setting for The Man Who Flew into Space from His Apartment is modeled on a communal apartment in which Kabakov once lived in Moscow. The walls of the small, shabby space are papered with upbeat…
This remarkable illustration is at the same time a shiviti—traditionally, a decorative plaque bearing the verse: “I am ever mindful of the Lord’s presence”—and a topographic map of the land of Israel…