Silver amulet typical of eighteenth- and nineteenth-century Italian Jewish homes. This example from Venice is unusual in that it contains an unidentified family coat of arms whose main feature is a…
Amulets often took the form of Bes, a minor Egyptian deity, who was understood to guard mothers in childbirth and their babies. Bes is often shown with a feathered headdress and a grotesque face, a…
Calvary was not the first time Marc Chagall portrayed the crucifixion in a painting, and it would not be the last. Chagall saw the crucifixion of Jesus Christ as a symbol of Jewish suffering. In this…
Silver amulet typical of eighteenth- and nineteenth-century Italian Jewish homes. This example from Venice is unusual in that it contains an unidentified family coat of arms whose main feature is a…
Amulets often took the form of Bes, a minor Egyptian deity, who was understood to guard mothers in childbirth and their babies. Bes is often shown with a feathered headdress and a grotesque face, a…
Calvary was not the first time Marc Chagall portrayed the crucifixion in a painting, and it would not be the last. Chagall saw the crucifixion of Jesus Christ as a symbol of Jewish suffering. In this…