Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
When this ostensibly quiet scene was photographed, Morocco was in the throes of a struggle for independence against its French occupiers. The uprising was becoming increasingly violent, with riots…
This linen coat with silk-thread embroidery was worn by a Jewish boy in Bukhara (today in Uzbekistan) on the occasion of his bar mitzvah celebration. Jewish economic life in Bukhara was closely tied…