Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
June 17, 1888 [June 29 in the Gregorian calendar]Dear Sir:Several days ago, I received an undated and terse postcard from one of my friends, a person close to me, H. Epstein, in which the following…
Ze’ev Raban painted this portrait of his wife, Miriam, in 1914, the same year they got married and he became head of the repoussé department at the Bezalel Academy of Arts and Design in Jerusalem. His…