Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
The study program of a Torah scholar should follow roughly this order: the Bible, as mentioned above, and the entirety of the Mishnah, as stated above. He should even complete the Orders of the…
Jacob Ries (1660–1751) of Prague first worked as a badchan (jester) for weddings. In 1710, he became court jester in Vienna under Charles VI. The artist of this portrait of Ries is not known. It…