Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
Edouard Brandon’s painting of Amsterdam’s famous Portuguese Synagogue (1675) is set on the Ninth of Av, a fast day commemorating and mourning the destruction of the Temple in Jerusalem. Members of the…
On the third morning, as soon as I was alone, I found the way to the mellah [in Marrakesh]. I came to an intersection where many Jews were standing around. Traffic was streaming past them and around a…
The blue and white abstract shapes in The Mud Bath evoke human figures in motion against a field of red. Are they meant to be people at a public bathhouse? Or are they interpreted that way because the…