Brooklyn-born contemporary artist Martha Rosler explores social and political critique through a variety of media. She has worked with photography, video, performance, and installation, in addition to publishing a number of critical essays that examine issues of gender, violence, and public space within American culture. Among Rosler’s best-known works are the photomontages she produced between 1967 and 1972, collectively titled House Beautiful: Bringing the War Home, and her 1975 video Semiotics of the Kitchen. Rosler has exhibited at some of the most prominent art institutions in the United States and was the recipient of the 2010 Guggenheim Lifetime Achievement Award, as well as many other national and international prizes and awards.
The first Ashkenazi Jews to settle in Amsterdam, refugees from the Chmielnicki uprising in Poland and the Thirty Years War, initially joined the Sephardi congregation there. In 1671, they established…
Dear friend Aaron Zeitlin,
You write (in Globus, issue 4) that to fight against the truly leftist—or, as you express it, “against the few who scream ‘impure’ [tomeh] sincerely”—is perhaps futile…