A leading American sculptor of the twentieth century, Louise Nevelson was born in Kiev and immigrated to the United States as a child. Known especially for her sculptures of assembled wood and found objects, she also produced large-scale works late in her career, including a number of public commissions such as Louise Nevelson Plaza, an environment of seven sculptures in Lower Manhattan (1977). Nevelson drew inspiration from a broad array of artistic movements and styles, including cubism, surrealism, African art, Native American art, abstract expressionism, minimalism, action painting, and color-field painting. She was the subject of more than 135 solo exhibitions.
Like many of Nevelson’s best-known works, End of Day XXXV is made of wood painted a matte black, a color she characterized as “visually weightless.” Many of her sculptures were built from found…
“Your teeth are bars of bone. Behind them, in a crystal cell, your shackled words. Remember the advice of an elder: the guilty, those that dropped poison pearls into your goblet—let them go free. In…
This bilingual Yiddish-English cover of a program for a variety show at Irving Music Hall on New York City’s Lower East Side advertises “high class Jewish vaudeville” and bills itself as “the finest…