Arriving Family, King George Street, Johannesburg
David Goldblatt
1950–1960
Image
Credits
Photograph by David Goldblatt.
Published in: The Posen Library of Jewish Culture and Civilization, vol. 9.
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My Father’s Leaving
When I came back, he was gone.
My mother was in the bathroom
crying, my sister in her crib
restless but asleep. The sun
was shining in the bay window,
the grass had just been cut.
No one mentioned…
With the Holy Poem
With the holy poem
clenched between my teeth,
I set forth alone
from that wolf-cave, my home,
to roam
street after street
like a wolf
with his solitary bone.
There is prey enough in the street
to…
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Creator Bio
David Goldblatt
1930–2018
David Goldblatt photographed and documented South African society for more than fifty years. Of Lithuanian Jewish heritage, Goldblatt was born in Randfontein. He began photographing professionally in the early 1960s, focusing on the effects of the National Party’s legislation of apartheid. Over the years, he chronicled the plight of black communities, the culture of the Afrikaner nationalists, and the comfort of white suburbanites, as well as the condition of race relations in the country after the end of apartheid. Goldblatt received the Hasselblad Photography Award (2006) and the Henri-Cartier Bresson Award (2009).
You may also like
My Father’s Leaving
When I came back, he was gone.
My mother was in the bathroom
crying, my sister in her crib
restless but asleep. The sun
was shining in the bay window,
the grass had just been cut.
No one mentioned…
With the Holy Poem
With the holy poem
clenched between my teeth,
I set forth alone
from that wolf-cave, my home,
to roam
street after street
like a wolf
with his solitary bone.
There is prey enough in the street
to…