The Russian Jewish and Soviet painter, theatrical designer, and sculptor Natan Altman was born in Vinnitsa (today, Vinnytsya, Ukraine). He studied in Odessa from 1903 to 1907 and moved to Paris in 1910, before returning to Russia. Like his contemporaries Marc Chagall and El Lissitzky, the young Altman was influenced by cubism and other emerging postrealist and postimpressionist approaches and generally saw himself as part of the general Russian-European art scene. Yet during World War I and the early years of the Russian Revolution, Altman also briefly grew interested in traditional East European Jewish folk art and in the possibility of a modernist Jewish national art. In those years, he produced his most famous sculpture, entitled Head of a Young Jew (Self-Portrait); an emblem in the Jewish folk style for the Hebraist youth publishing house Ahinoar; and abstract constructivist set designs for the burgeoning modernist Yiddish theater. Altman lived abroad from 1928 to 1935, and when he returned to the Soviet Union, he agreed to work in the then-required style of socialist realism.
Head of a Young Jew, Natan Altman’s most famous sculpture, is an expression of his desire to set a new, modern course for Jewish art. The asymmetrical sculpture, a combination of bronze, copper, and…
Logemann began Kaddish, a series of ten ink, oil, and varnish paintings, in 1993 and completed it in 1996. Each canvas includes a circle with the Jewish memorial prayer in Hebrew and English…
When the Allatini Mills building was built in 1898, it was considered the largest industrial building in the “Orient” (then the catch-all term for the non-European world east of Europe). The first…